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sketches of young gentlemen-第8部分
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first; and says no earthly power shall induce him to take the
character。 It's a fine part; too … excellent business; I'm told。
He has to kill six people in the course of the piece; and to fight
over a bridge in red fire; which is as safe a card; you know; as
can be。 Don't mention it; but I hear that the last scene; when he
is first poisoned; and then stabbed; by Mrs。 Flimkins as Vengedora;
will be the greatest thing that has been done these many years。'
With this piece of news; and laying his finger on his lips as a
caution for you not to excite the town with it; the theatrical
young gentleman hurries away。
The theatrical young gentleman; from often frequenting the
different theatrical establishments; has pet and familiar names for
them all。 Thus Covent…Garden is the garden; Drury…Lane the lane;
the Victoria the vic; and the Olympic the pic。 Actresses; too; are
always designated by their surnames only; as Taylor; Nisbett;
Faucit; Honey; that talented and lady…like girl Sheriff; that
clever little creature Horton; and so on。 In the same manner he
prefixes Christian names when he mentions actors; as Charley Young;
Jemmy Buckstone; Fred。 Yates; Paul Bedford。 When he is at a loss
for a Christian name; the word 'old' applied indiscriminately
answers quite as well: as old Charley Matthews at Vestris's; old
Harley; and old Braham。 He has a great knowledge of the private
proceedings of actresses; especially of their getting married; and
can tell you in a breath half…a…dozen who have changed their names
without avowing it。 Whenever an alteration of this kind is made in
the playbills; he will remind you that he let you into the secret
six months ago。
The theatrical young gentleman has a great reverence for all that
is connected with the stage department of the different theatres。
He would; at any time; prefer going a street or two out of his way;
to omitting to pass a stage…entrance; into which he always looks
with a curious and searching eye。 If he can only identify a
popular actor in the street; he is in a perfect transport of
delight; and no sooner meets him; than he hurries back; and walks a
few paces in front of him; so that he can turn round from time to
time; and have a good stare at his features。 He looks upon a
theatrical…fund dinner as one of the most enchanting festivities
ever known; and thinks that to be a member of the Garrick Club; and
see so many actors in their plain clothes; must be one of the
highest gratifications the world can bestow。
The theatrical young gentleman is a constant half…price visitor at
one or other of the theatres; and has an infinite relish for all
pieces which display the fullest resources of the establishment。
He likes to place implicit reliance upon the play…bills when he
goes to see a show…piece; and works himself up to such a pitch of
enthusiasm; as not only to believe (if the bills say so) that there
are three hundred and seventy…five people on the stage at one time
in the last scene; but is highly indignant with you; unless you
believe it also。 He considers that if the stage be opened from the
foot…lights to the back wall; in any new play; the piece is a
triumph of dramatic writing; and applauds accordingly。 He has a
great notion of trap…doors too; and thinks any character going down
or coming up a trap (no matter whether he be an angel or a demon …
they both do it occasionally) one of the most interesting feats in
the whole range of scenic illusion。
Besides these acquirements; he has several veracious accounts to
communicate of the private manners and customs of different actors;
which; during the pauses of a quadrille; he usually communicates to
his partner; or imparts to his neighbour at a supper table。 Thus
he is advised; that Mr。 Liston always had a footman in gorgeous
livery waiting at the side…scene with a brandy bottle and tumbler;
to administer half a pint or so of spirit to him every time he came
off; without which assistance he must infallibly have fainted。 He
knows for a fact; that; after an arduous part; Mr。 George Bennett
is put between two feather beds; to absorb the perspiration; and is
credibly informed; that Mr。 Baker has; for many years; submitted to
a course of lukewarm toast…and…water; to qualify him to sustain his
favourite characters。 He looks upon Mr。 Fitz Ball as the principal
dramatic genius and poet of the day; but holds that there are great
writers extant besides him; … in proof whereof he refers you to
various dramas and melodramas recently produced; of which he takes
in all the sixpenny and three…penny editions as fast as they
appear。
The theatrical young gentleman is a great advocate for violence of
emotion and redundancy of action。 If a father has to curse a child
upon the stage; he likes to see it done in the thorough…going
style; with no mistake about it: to which end it is essential that
the child should follow the father on her knees; and be knocked
violently over on her face by the old gentleman as he goes into a
small cottage; and shuts the door behind him。 He likes to see a
blessing invoked upon the young lady; when the old gentleman
repents; with equal earnestness; and accompanied by the usual
conventional forms; which consist of the old gentleman looking
anxiously up into the clouds; as if to see whether it rains; and
then spreading an imaginary tablecloth in the air over the young
lady's head … soft music playing all the while。 Upon these; and
other points of a similar kind; the theatrical young gentleman is a
great critic indeed。 He is likewise very acute in judging of
natural expressions of the passions; and knows precisely the frown;
wink; nod; or leer; which stands for any one of them; or the means
by which it may be converted into any other: as jealousy; with a
good stamp of the right foot; becomes anger; or wildness; with the
hands clasped before the throat; instead of tearing the wig; is
passionate love。 If you venture to express a doubt of the accuracy
of any of these portraitures; the theatrical young gentleman
assures you; with a haughty smile; that it always has been done in
that way; and he supposes they are not going to change it at this
time of day to please you; to which; of course; you meekly reply
that you suppose not。
There are innumerable disquisitions of this nature; in which the
theatrical young gentleman is very profound; especially to ladies
whom he is most in the habit of entertaining with them; but as we
have no space to recapitulate them at greater length; we must rest
content with calling the attention of the young ladies in general
to the theatrical young gentlemen of their own acquaintance。
THE POETICAL YOUNG GENTLEMAN
Time was; and not very long ago either; when a singular epidemic
raged among the young gentlemen; vast numbers of whom; under the
influence of the malady; tore off their neckerchiefs; turned down
their shirt collars; and exhibited themselves in the open streets
with bare throats and dejected countenances; before the eyes of an
astonished public。 These were poetical young gentlemen。 The
custom was gradually found to be inconvenient; as involving the
necessity of too much clean linen and too large washing bills; and
these outward symptoms have consequently passed away; but we are
disposed to think; notwithstanding; that the number of poetical
young gentlemen is considerably on the increase。
We know a poetical young gentleman … a very poetical young
gentleman。 We do not mean to say that he is troubled with the gift
of poesy in any remarkable degree; but his countenance is of a
plaintive and melancholy cast; his manner is abstracted and
bespeaks affliction of soul: he seldom has his hair cut; and often
talks about being an outcast and wanting a kindred spirit; from
which; as well as from many general observations in which he is
wont to indulge; concerning mysterious impulses; and yearnings of
the heart; and the supremacy of intellect gilding all earthly
things with the glowing magic of immortal verse; it is clear to all
his friends that he has been stricken poetical。
The favourite attitude of the poetical young gentleman is lounging
on a sofa with his eyes fixed upon the ceiling; or sitting bolt
upright in a high…backed chair; staring with very round eyes at the
opposite wall。 When he is in one of these positions; his mother;
who is a worthy; affectionate old soul; will give you a nudge to
bespeak your attention without disturbing the abstracted one; and
whisper with a shake of the head; that John's imagination is at
some extraordinary work or other; you may take her word for it。
Hereupon John looks more fiercely intent upon vacancy than before;
and suddenly snatching a pencil from his pocket; puts down three
words; and a cross on the back of a card; sighs deeply; paces once
or twice across the room; inflicts a most unmerciful slap upon his
head; and walks moodily up to his dormitory。
The poetical young gentleman is apt to acquire peculiar notions of
things too; which plain ordinary people; unblessed with a poetical
obliquity of vision; would suppose to be rather distorted。 For
instance; when the sickening murder and mangling of a wretched
woman was affording delicious food wherewithal to gorge the
insatiable curiosity of the public; our friend the poetical young
gentleman was in ecstasies … not of disgust; but admiration。
'Heavens!' cried the poetical young gentleman; 'how grand; how
great!' We ventured deferentially to inquire upon whom these
epithets were bestowed: our humble thoughts oscillating between
the police officer who found the criminal; and the lock…keeper who
found the head。 'Upon whom!' exclaimed the poetical young
gentleman in a frenzy of poetry; 'Upon whom should they be bestowed
but upon the murderer!' … and thereupon it came out; in a fine
torrent of eloquence;
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