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on sense and the sensible-第7部分
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the case of Colour and Light? For certainly it is not true that the
beholder sees; and the object is seen; in virtue of some merely
abstract relationship between them; such as that between equals。 For
if it were so; there would be no need 'as there is' that either 'the
beholder or the thing beheld' should occupy some particular place;
since to the equalization of things their being near to; or far
from; one another makes no difference。
Now this 'travelling through successive positions in the medium' may
with good reason take place as regards Sound and Odour; for these;
like 'their media' Air and Water; are continuous; but the movement
of both is divided into parts。 This too is the ground of the fact that
the object which the person first in order of proximity hears or
smells is the same as that which each subsequent person perceives;
while yet it is not the same。
Some; indeed; raise a question also on these very points; they
declare it impossible that one person should hear; or see; or smell;
the same object as another; urging the impossibility of several
persons in different places hearing or smelling 'the same object'; for
the one same thing would 'thus' be divided from itself。 The answer
is that; in perceiving the object which first set up the motion… e。g。
a bell; or frankincense; or fire… all perceive an object numerically
one and the same; while; of course; in the special object perceived
they perceive an object numerically different for each; though
specifically the same for all; and this; accordingly; explains how it
is that many persons together see; or smell; or hear 'the same
object'。 These things 'the odour or sound proper' are not bodies; but
an affection or process of some kind (otherwise this 'viz。
simultaneous perception of the one object by many' would not have
been; as it is; a fact of experience) though; on the other hand; they
each imply a body 'as their cause'。
But 'though sound and odour may travel;' with regard to Light the
case is different。 For Light has its raison d'etre in the being 'not
becoming' of something; but it is not a movement。 And in general; even
in qualitative change the case is different from what it is in local
movement 'both being different species of kinesis'。 Local movements;
of course; arrive first at a point midway before reaching their goal
(and Sound; it is currently believed; is a movement of something
locally moved); but we cannot go on to assert this 'arrival at a point
midway' like manner of things which undergo qualitative change。 For
this kind of change may conceivably take place in a thing all at once;
without one half of it being changed before the other; e。g。 it is
conceivable that water should be frozen simultaneously in every
part。 But still; for all that; if the body which is heated or frozen
is extensive; each part of it successively is affected by the part
contiguous; while the part first changed in quality is so changed by
the cause itself which originates the change; and thus the change
throughout the whole need not take place coinstantaneously and all
at once。 Tasting would have been as smelling now is; if we lived in
a liquid medium; and perceived 'the sapid object' at a distance;
before touching it。
Naturally; then; the parts of media between a sensory organ and
its object are not all affected at once… except in the case of Light
'illumination' for the reason above stated; and also in the case of
seeing; for the same reason; for Light is an efficient cause of
seeing。
7
Another question respecting sense…perception is as follows:
assuming; as is natural; that of two 'simultaneous' sensory stimuli
the stronger always tends to extrude the weaker 'from
consciousness'; is it conceivable or not that one should be able to
discern two objects coinstantaneously in the same individual time? The
above assumption explains why persons do not perceive what is
brought before their eyes; if they are at the time deep in thought; or
in a fright; or listening to some loud noise。 This assumption; then;
must be made; and also the following: that it is easier to discern
each object of sense when in its simple form than when an ingredient
in a mixture; easier; for example; to discern wine when neat than when
blended; and so also honey; and 'in other provinces' a colour; or to
discern the nete by itself alone; than 'when sounded with the
hypate' in the octave; the reason being that component elements tend
to efface 'the distinctive characteristics of' one another。 Such is
the effect 'on one another' of all ingredients of which; when
compounded; some one thing is formed。
If; then; the greater stimulus tends to expel the less; it
necessarily follows that; when they concur; this greater should itself
too be less distinctly perceptible than if it were alone; since the
less by blending with it has removed some of its individuality;
according to our assumption that simple objects are in all cases
more distinctly perceptible。
Now; if the two stimuli are equal but heterogeneous; no perception
of either will ensue; they will alike efface one another's
characteristics。 But in such a case the perception of either
stimulus in its simple form is impossible。 Hence either there will
then be no sense…perception at all; or there will be a perception
compounded of both and differing from either。 The latter is what
actually seems to result from ingredients blended together; whatever
may be the compound in which they are so mixed。
Since; then; from some concurrent 'sensory stimuli' a resultant
object is produced; while from others no such resultant is produced;
and of the latter sort are those things which belong to different
sense provinces (for only those things are capable of mixture whose
extremes are contraries; and no one compound can be formed from;
e。g。 White and Sharp; except indirectly; i。e。 not as a concord is
formed of Sharp and Grave); there follows logically the
impossibility of discerning such concurrent stimuli coinstantaneously。
For we must suppose that the stimuli; when equal; tend alike to efface
one another; since no one 'form of stimulus' results from them; while;
if they are unequal; the stronger alone is distinctly perceptible。
Again; the soul would be more likely to perceive
coinstantaneously; with one and the same sensory act; two things in
the same sensory province; such as the Grave and the Sharp in sound;
for the sensory stimulation in this one province is more likely to
be unitemporal than that involving two different provinces; as Sight
and Hearing。 But it is impossible to perceive two objects
coinstantaneously in the same sensory act unless they have been mixed;
'when; however; they are no longer two'; for their amalgamation
involves their becoming one; and the sensory act related to one object
is itself one; and such act; when one; is; of course;
coinstantaneous with itself。 Hence; when things are mixed we of
necessity perceive them coinstantaneously: for we perceive them by a
perception actually one。 For an object numerically one means that
which is perceived by a perception actually one; whereas an object
specifically one means that which is perceived by a sensory act
potentially one 'i。e。 by an energeia of the same sensuous faculty'。 If
then the actualized perception is one; it will declare its data to
be one object; they must; therefore; have been mixed。 Accordingly;
when they have not been mixed; the actualized perceptions which
perceive them will be two; but 'if so; their perception must be
successive not coinstantaneous; for' in one and the same faculty the
perception actualized at any single moment is necessarily one; only
one stimulation or exertion of a single faculty being possible at a
single instant; and in the case supposed here the faculty is one。 It
follows; therefore; that we cannot conceive the possibility of
perceiving two distinct objects coinstantaneously with one and the
same sense。
But if it be thus impossible to perceive coinstantaneously two
objects in the same province of sense if they are really two;
manifestly it is still less conceivable that we should perceive
coinstantaneously objects in two different sensory provinces; as White
and Sweet。 For it appears that when the Soul predicates numerical
unity it does so in virtue of nothing else than such coinstantaneous
perception 'of one object; in one instant; by one energeia': while
it predicates specific unity in virtue of 'the unity of' the
discriminating faculty of sense together with 'the unity of' the
mode in which this operates。 What I mean; for example; is this; the
same sense no doubt discerns White and Black; 'which are hence
generically one' though specifically different from one another; and
so; too; a faculty of sense self…identical; but different from the
former; discerns Sweet and Bitter; but while both these faculties
differ from one another 'and each from itself' in their modes of
discerning either of their respective contraries; yet in perceiving
the co…ordinates in each province they proceed in manners analogous to
one another; for instance; as Taste perceives Sweet; so Sight
perceives White; and as the latter perceives Black; so the former
perceives Bitter。
Again; if the stimuli of sense derived from Contraries are
themselves Contrary; and if Contraries cannot be conceived as
subsisting together in the same individual subject; and if Contraries;
e。g。 Sweet and Bitter; come under one and the same sense…faculty; we
must conclude that it is impossible to discern them coinstantaneously。
It is likewise cl
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