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george cruikshank-第2部分

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in the same delightful faith。  It is not the artist who fails; but

the men who grow coldthe men; from whom the illusions (why

illusions? realities) of youth disappear one by one; who have no

leisure to be happy; no blessed holidays; but only fresh cares at

Midsummer and Christmas; being the inevitable seasons which bring us

bills instead of pleasures。  Tom; who comes bounding home from

school; has the doctor's account in his trunk; and his father goes

to sleep at the pantomime to which he takes him。  Pater infelix; you

too have laughed at clown; and the magic wand of spangled harlequin;

what delightful enchantment did it wave around you; in the golden

days 〃when George the Third was king!〃  But our clown lies in his

grave; and our harlequin; Ellar; prince of how many enchanted

islands; was he not at Bow Street the other day;* in his dirty;

tattered; faded motleyseized as a law…breaker; for acting at a

penny theatre; after having wellnigh starved in the streets; where

nobody would listen to his old guitar?  No one gave a shilling to

bless him: not one of us who owe him so much。





* This was written in 1840。





We know not if Mr。 Cruikshank will be very well pleased at finding

his name in such company as that of Clown and Harlequin; but he;

like them; is certainly the children's friend。  His drawings abound

in feeling for these little ones; and hideous as in the course of

his duty he is from time to time compelled to design them; he never

sketches one without a certain pity for it; and imparting to the

figure a certain grotesque grace。  In happy schoolboys he revels;

plum…pudding and holidays his needle has engraved over and over

again; there is a design in one of the comic almanacs of some young

gentlemen who are employed in administering to a schoolfellow the

correction of the pump; which is as graceful and elegant as a

drawing of Stothard。  Dull books about children George Cruikshank

makes bright with illustrationsthere is one published by the

ingenious and opulent Mr。 Tegg。  It is entitled 〃Mirth and

Morality;〃 the mirth being; for the most part; on the side of the

designerthe morality; unexceptionable certainly; the author's

capital。  Here are then; to these moralities; a smiling train of

mirths supplied by George Cruikshank。  See yonder little fellows

butterfly…hunting across a common!  Such a light; brisk; airy;

gentleman…like drawing was never made upon such a theme。  Who;

cries the author





    〃Who has not chased the butterfly;

       And crushed its slender legs and wings;

     And heaved a moralizing sigh:

       Alas! how frail are human things!〃





A very unexceptionable morality truly; but it would have puzzled

another than George Cruikshank to make mirth out of it as he has

done。  Away; surely not on the wings of these verses; Cruikshank's

imagination begins to soar; and he makes us three darling little men

on a green common; backed by old farmhouses; somewhere about May。  A

great mixture of blue and clouds in the air; a strong fresh breeze

stirring; Tom's jacket flapping in the same; in order to bring down

the insect queen or king of spring that is fluttering above him;he

renders all this with a few strokes on a little block of wood not

two inches square; upon which one may gaze for hours; so merry and

lifelike a scene does it present。  What a charming creative power is

this; what a privilegeto be a god; and create little worlds upon

paper; and whole generations of smiling; jovial men; women; and

children half inch high; whose portraits are carried abroad; and

have the faculty of making us monsters of six feet curious and happy

in our turn。  Now; who would imagine that an artist could make

anything of such a subject as this?  The writer begins by stating;





    〃I love to go back to the days of my youth;

       And to reckon my joys to the letter;

     And to count o'er the friends that I have in the world;

       Ay; and those who are gone to a better。〃





This brings him to the consideration of his uncle。  〃Of all the men

I have ever known;〃 says he; 〃my uncle united the greatest degree of

cheerfulness with the sobriety of manhood。  Though a man when I was

a boy; he was yet one of the most agreeable companions I ever

possessed。 。 。 。  He embarked for America; and nearly twenty years

passed by before he came back again; 。 。 。 but oh; how altered!he

was in every sense of the word an old man; his body and mind were

enfeebled; and second childishness had come upon him。  How often

have I bent over him; vainly endeavoring to recall to his memory the

scenes we had shared together: and how frequently; with an aching

heart; have I gazed on his vacant and lustreless eye; while he has

amused himself in clapping his hands and singing with a quavering

voice a verse of a psalm。〃  Alas! such are the consequences of long

residences in America; and of old age even in uncles!  Well; the

point of this morality is; that the uncle one day in the morning of

life vowed that he would catch his two nephews and tie them

together; ay; and actually did so; for all the efforts the rogues

made to run away from him; but he was so fatigued that he declared

he never would make the attempt again; whereupon the nephew

remarks;〃Often since then; when engaged in enterprises beyond my

strength; have I called to mind the determination of my uncle。〃



Does it not seem impossible to make a picture out of this?  And yet

George Cruikshank has produced a charming design; in which the

uncles and nephews are so prettily portrayed that one is reconciled

to their existence; with all their moralities。  Many more of the

mirths in this little book are excellent; especially a great figure

of a parson entering church on horseback;an enormous parson truly;

calm; unconscious; unwieldy。  As Zeuxis had a bevy of virgins in

order to make his famous picturehis express virgina clerical

host must have passed under Cruikshank's eyes before he sketched

this little; enormous parson of parsons。



Being on the subject of children's books; how shall we enough praise

the delightful German nursery…tales; and Cruikshank's illustrations

of them?  We coupled his name with pantomime awhile since; and sure

never pantomimes were more charming than these。  Of all the artists

that ever drew; from Michael Angelo upwards and downwards;

Cruikshank was the man to illustrate these tales; and give them just

the proper admixture of the grotesque; the wonderful; and the

graceful。  May all Mother Bunch's collection be similarly indebted

to him; may 〃Jack the Giant Killer;〃 may 〃Tom Thumb;〃 may 〃Puss in

Boots;〃 be one day revivified by his pencil。  Is not Whittington

sitting yet on Highgate hill; and poor Cinderella (in that sweetest

of all fairy stories) still pining in her lonely chimney…nook?  A

man who has a true affection for these delightful companions of his

youth is bound to be grateful to them if he can; and we pray Mr。

Cruikshank to remember them。



It is folly to say that this or that kind of humor is too good for

the public; that only a chosen few can relish it。  The best humor

that we know of has been as eagerly received by the public as by the

most delicate connoisseur。  There is hardly a man in England who can

read but will laugh at Falstaff and the humor of Joseph Andrews; and

honest Mr。 Pickwick's story can be felt and loved by any person

above the age of six。  Some may have a keener enjoyment of it than

others; but all the world can be merry over it; and is always ready

to welcome it。 The best criterion of good humor is success; and what

a share of this has Mr。 Cruikshank had! how many millions of mortals

has he made happy!  We have heard very profound persons talk

philosophically of the marvellous and mysterious manner in which he

has suited himself to the timefait vibrer la fibre populaire (as

Napoleon boasted of himself); supplied a peculiar want felt at a

peculiar period; the simple secret of which is; as we take it; that

he; living amongst the public; has with them a general wide…hearted

sympathy; that he laughs at what they laugh at; that he has a kindly

spirit of enjoyment; with not a morsel of mysticism in his

composition; that he pities and loves the poor; and jokes at the

follies of the great; and that he addresses all in a perfectly

sincere and manly way。  To be greatly successful as a professional

humorist; as in any other calling; a man must be quite honest; and

show that his heart is in his work。  A bad preacher will get

admiration and a hearing with this point in his favor; where a man

of three times his acquirements will only find indifference and

coldness。  Is any man more remarkable than our artist for telling

the truth after his own manner?  Hogarth's honesty of purpose was as

conspicuous in an earlier time; and we fancy that Gilray would have

been far more successful and more powerful but for that unhappy

bribe; which turned the whole course of his humor into an unnatural

channel。  Cruikshank would not for any bribe say what he did not

think; or lend his aid to sneer down anything meritorious; or to

praise any thing or person that deserved censure。  When he levelled

his wit against the Regent; and did his very prettiest for the

Princess; he most certainly believed; along with the great body of

the people whom he represents; that the Princess was the most

spotless; pure…mannered darling of a Princess that ever married a

heartless debauchee of a Prince Royal。  Did not millions believe

with him; and noble and learned lords take their oaths to her Royal

Highness's innocence?  Cruikshank would not stand by and see a woman

ill…used; and so struck in for her rescue; he and the people

belaboring with all their might the party who were making the

attack; and determining; from pure sympathy and indignation; that

the woman must be innocent because her husband treated her so foully。



To be
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