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a death in the desert-第2部分
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Everett saw that Gaylord's mind was quite engrossed by his
grief。 He was wrought up to the point where his reserve and
sense of proportion had quite left him; and his trouble was the
one vital thing in the world。 〃That's the whole thing;〃 he went
on; flicking his horses with the whip。
〃She was a great woman; as you say; and she didn't come of a
great family。 She had to fight her own way from the first。 She
got to Chicago; and then to New York; and then to Europe; where
she went up like lightning; and got a taste for it all; and now
she's dying here like a rat in a hole; out of her own world; and
she can't fall back into ours。 We've grown apart; some way
miles and miles apartand I'm afraid she's fearfully unhappy。〃
〃It's a very tragic story that you are telling me; Gaylord;〃
said Everett。 They were well out into the country now; spinning
along over the dusty plains of red grass; with the ragged…blue
outline of the mountains before them。
〃Tragic!〃 cried Gaylord; starting up in his seat; 〃my God; man;
nobody will ever know how tragic。 It's a tragedy I live with and
eat with and sleep with; until I've lost my grip on everything。
You see she had made a good bit of money; but she spent it all
going to health resorts。 It's her lungs; you know。 I've got money
enough to send her anywhere; but the doctors all say it's no use。
She hasn't the ghost of a chance。 It's just getting through the
days now。 I had no notion she was half so bad before she came to
me。 She just wrote that she was all run down。 Now that she's
here; I think she'd be happier anywhere under the sun; but she
won't leave。 She says it's easier to let go of life here; and that
to go East would be dying twice。 There was a time when I was a
brakeman with a run out of Bird City; Iowa; and she was a little
thing I could carry on my shoulder; when I could get her everything
on earth she wanted; and she hadn't a wish my 80 a month didn't
cover; and now; when I've got a little property together; I can't
buy her a night's sleep!〃
Everett saw that; whatever Charley Gaylord's present status
in the world might be; he had brought the brakeman's heart up the
ladder with him; and the brakeman's frank avowal of sentiment。
Presently Gaylord went on:
〃You can understand how she has outgrown her family。 We're
all a pretty common sort; railroaders from away back。 My father
was a conductor。 He died when we were kids。 Maggie; my other
sister; who lives with me; was a telegraph operator here while I
was getting my grip on things。 We had no education to speak of。
I have to hire a stenographer because I can't spell straightthe
Almighty couldn't teach me to spell。 The things that make up
life to Kate are all Greek to me; and there's scarcely a point
where we touch any more; except in our recollections of the old
times when we were all young and happy together; and Kate sang in
a church choir in Bird City。 But I believe; Mr。 Hilgarde; that
if she can see just one person like you; who knows about the
things and people she's interested in; it will give her about the
only comfort she can have now。〃
The reins slackened in Charley Gaylord's hand as they drew
up before a showily painted house with many gables and a round
tower。 〃Here we are;〃 he said; turning to Everett; 〃and I guess
we understand each other。〃
They were met at the door by a thin; colorless woman; whom
Gaylord introduced as 〃my sister; Maggie。〃 She asked her brother
to show Mr。 Hilgarde into the music room; where Katharine wished
to see him alone。
When Everett entered the music room he gave a little start
of surprise; feeling that he had stepped from the glaring Wyoming
sunlight into some New York studio that he had always known。 He
wondered which it was of those countless studios; high up under
the roofs; over banks and shops and wholesale houses; that this
room resembled; and he looked incredulously out of the window at
the gray plain that ended in the great upheaval of the Rockies。
The haunting air of familiarity about the room perplexed
him。 Was it a copy of some particular studio he knew; or was it
merely the studio atmosphere that seemed so individual and
poignantly reminiscent here in Wyoming? He sat down in a reading
chair and looked keenly about him。 Suddenly his eye fell upon a
large photograph of his brother above the piano。 Then it all
became clear to him: this was veritably his brother's room。 If
it were not an exact copy of one of the many studios that
Adriance had fitted up in various parts of the world; wearying of
them and leaving almost before the renovator's varnish had dried;
it was at least in the same tone。 In every detail Adriance's
taste was so manifest that the room seemed to exhale his
personality。
Among the photographs on the wall there was one of Katharine
Gaylord; taken in the days when Everett had known her; and when
the flash of her eye or the flutter of her skirt was enough to
set his boyish heart in a tumult。 Even now; he stood before the
portrait with a certain degree of embarrassment。 It was the face
of a woman already old in her first youth; thoroughly
sophisticated and a trifle hard; and it told of what her brother
had called her fight。 The camaraderie of her frank; confident
eyes was qualified by the deep lines about her mouth and the
curve of the lips; which was both sad and cynical。 Certainly she
had more good will than confidence toward the world; and the
bravado of her smile could not conceal the shadow of an unrest
that was almost discontent。 The chief charm of the woman; as
Everett had known her; lay in her superb figure and in her eyes;
which possessed a warm; lifegiving quality like the sunlight;
eyes which glowed with a sort of perpetual salutat to the
world。 Her head; Everett remembered as peculiarly well…shaped and
proudly poised。 There had been always a little of the imperatrix
about her; and her pose in the photograph revived all his old
impressions of her unattachedness; of how absolutely and valiantly
she stood alone。
Everett was still standing before the picture; his hands behind him
and his head inclined; when he heard the door open。 A very tall
woman advanced toward him; holding out her hand。 As she started to
speak; she coughed slightly; then; laughing; said; in a low; rich
voice; a trifle husky: 〃You see I make the traditional Camille
entrancewith the cough。 How good of you to come; Mr。 Hilgarde。〃
Everett was acutely conscious that while addressing him she
was not looking at him at all; and; as he assured her of his
pleasure in coming; he was glad to have an opportunity to collect
himself。 He had not reckoned upon the ravages of a long illness。
The long; loose folds of her white gown had been especially
designed to conceal the sharp outlines of her emaciated body; but
the stamp of her disease was there; simple and ugly and obtrusive;
a pitiless fact that could not be disguised or evaded。 The
splendid shoulders were stooped; there was a swaying unevenness in
her gait; her arms seemed disproportionately long; and her hands
were transparently white and cold to the touch。 The changes in her
face were less obvious; the proud carriage of the head; the warm;
clear eyes; even the delicate flush of color in her cheeks; all
defiantly remained; though they were all in a lower keyolder;
sadder; softer。
She sat down upon the divan and began nervously to arrange the
pillows。 〃I know I'm not an inspiring object to look upon; but you
must be quite frank and sensible about that and get used to it at
once; for we've no time to lose。 And if I'm a trifle irritable you
won't mind?for I'm more than usually nervous。〃
〃Don't bother with me this morning; if you are tired;〃 urged
Everett。 〃I can come quite as well tomorrow。〃
〃Gracious; no!〃 she protested; with a flash of that quick;
keen humor that he remembered as a part of her。 〃It's solitude
that I'm tired to death ofsolitude and the wrong kind of people。
You see; the minister; not content with reading the prayers for the
sick; called on me this morning。 He happened to be riding
by on his bicycle and felt it his duty to stop。 Of course; he
disapproves of my profession; and I think he takes it for granted
that I have a dark past。 The funniest feature of his conversation
is that he is always excusing my own vocation to mecondoning it;
you knowand trying to patch up my peace with my conscience by
suggesting possible noble uses for what he kindly calls my talent。〃
Everett laughed。 〃Oh! I'm afraid I'm not the person to call
after such a serious gentlemanI can't sustain the situation。
At my best I don't reach higher than low comedy。 Have you
decided to which one of the noble uses you will devote yourself?〃
Katharine lifted her hands in a gesture of renunciation and
exclaimed: 〃I'm not equal to any of them; not even the least
noble。 I didn't study that method。〃
She laughed and went on nervously: 〃The parson's not so bad。
His English never offends me; and he has read Gibbon's Decline
and Fall; all five volumes; and that's something。 Then; he has
been to New York; and that's a great deal。 But how we are losing
time!
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