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letters to his son, 1751-第5部分
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; on the contrary; will tire out attention; and excite disgust。 We are so made; we love to be pleased better than to be informed; information is; in a certain degree; mortifying; as it implies our previous ignorance; it must be sweetened to be palatable。
To bring this directly to you: know that no man can make a figure in this country; but by parliament。 Your fate depends upon your success there as a speaker; and; take my word for it; that success turns much more upon manner than matter。 Mr。 Pitt and Mr。 Murray the solicitor…general; uncle to Lord Stormount; are; beyond comparison; the best speakers; why? only because they are the best orators。 They alone can inflame or quiet the House; they alone are so attended to; in that numerous and noisy assembly; that you might hear a pin fall while either of them is speaking。 Is it that their matter is better; or their arguments stronger; than other people's? Does the House expect extraordinary informations from them? Not; in the least: but the House expects pleasure from them; and therefore attends; finds it; and therefore approves。 Mr。 Pitt; particularly; has very little parliamentary knowledge; his matter is generally flimsy; and his arguments often weak; but his eloquence is superior; his action graceful; his enunciation just and harmonious; his periods are well turned; and every word he makes use of is the very best; and the most expressive; that can be used in that place。 This; and not his matter; made him Paymaster; in spite of both king and ministers。 From this draw the obvious conclusion。 The same thing holds full as true in conversation; where even trifles; elegantly expressed; well looked; and accompanied with graceful action; will ever please; beyond all the homespun; unadorned sense in the world。 Reflect; on one side; how you feel within yourself; while you are forced to suffer the tedious; muddy; and ill…turned narration of some awkward fellow; even though the fact may be interesting; and; on the other hand; with what pleasure you attend to the relation of a much less interesting matter; when elegantly expressed; genteelly turned; and gracefully delivered。 By attending carefully to all these agremens in your daily conversation; they will become habitual to you; before you come into parliament; and you will have nothing then; to do; but to raise them a little when you come there。 I would wish you to be so attentive to this object; that I; would not have you speak to your footman; but in the very best words that the subject admits of; be the language what it will。 Think of your words; and of their arrangement; before you speak; choose the most elegant; and place them in the best order。 Consult your own ear; to avoid cacophony; and; what is very near as bad; monotony。 Think also of your gesture and looks; when you are speaking even upon the most trifling subjects。 The same things; differently expressed; looked; and delivered; cease to be the same things。 The most passionate lover in the world cannot make a stronger declaration of love than the 'Bourgeois gentilhomme' does in this happy form of words; 'Mourir d'amour me font belle Marquise vos beaux yeux'。 I defy anybody to say more; and yet I would advise nobody to say that; and I would recommend to you rather to smother and conceal your passion entirely than to reveal it in these words。 Seriously; this holds in everything; as well as in that ludicrous instance。 The French; to do them justice; attend very minutely to the purity; the correctness; and the elegance of their style in conversation and in their letters。 'Bien narrer' is an object of their study; and though they sometimes carry it to affectation; they never sink into inelegance; which is much the worst extreme of the two。 Observe them; and form your French style upon theirs: for elegance in one language will reproduce itself in all。 I knew a young man; who; being just elected a member of parliament; was laughed at for being discovered; through the keyhole of his chamber…door; speaking to himself in the glass; and forming his looks and gestures。 I could not join in that laugh; but; on the contrary; thought him much wiser than those who laughed at him; for he knew the importance of those little graces in a public assembly; and they did not。 Your little person (which I am told; by the way; is not ill turned); whether in a laced coat or a blanket; is specifically the same; but yet; I believe; you choose to wear the former; and you are in the right; for the sake of pleasing more。 The worst…bred man in Europe; if a lady let fall her fan; would certainly take it up and give it her; the best…bred man in Europe could do no more。 The difference; however; would be considerable; the latter would please by doing it gracefully; the former would be laughed at for doing it awkwardly。 I repeat it; and repeat it again; and shall never cease repeating it to you: air; manners; graces; style; elegance; and all those ornaments; must now be the only objects of your attention; it is now; or never; that you must acquire them。 Postpone; therefore; all other considerations; make them now your serious study; you have not one moment to lose。 The solid and the ornamental united; are undoubtedly best; but were I reduced to make an option; I should without hesitation choose the latter。
I hope you assiduously frequent Marcell 'At that time the most celebrated dancing…master at Paris。' and carry graces from him; nobody had more to spare than he had formerly。 Have you learned to carve? for it is ridiculous not to carve well。 A man who tells you gravely that he cannot carve; may as well tell you that he cannot blow his nose: it is both as necessary; and as easy。
Make my compliments to Lord Huntingdon; whom I love and honor extremely; as I dare say you do; I will write to him soon; though I believe he has hardly time to read a letter; and my letters to those I love are; as you know by experience; not very short ones: this is one proof of it; and this would have been longer; if the paper had been so。 Good night then; my dear child。
LETTER CXXXII
LONDON; February 28; O。 S。 1751。
MY DEAR FRIEND: This epigram in Martial
〃Non amo te; Sabidi; nec possum dicere quare; Hoc tantum possum dicere; non amo te〃…
'OR: 〃I do not love thee Dr。 Fell The reason why I cannot tell。 But this I know and know full well: I do not love thee Dr。 Fell。〃 D。W。'
has puzzled a great many people; who cannot conceive how it is possible not to love anybody; and yet not to know the reason why。 I think I conceive Martial's meaning very clearly; though the nature of epigram; which is to be short; would not allow him to explain it more fully; and I take it to be this: O Sabidis; you are a very worthy deserving man; you have a thousand good qualities; you have a great deal of learning; I esteem; I respect; but for the soul of me I cannot love you; though I cannot particularly ;say why。 You are not aimable: you have not those engaging manners; those pleasing attentions; those graces; and that address; which are absolutely necessary to please; though impossible to define。 I cannot say it is this or that particular thing that hinders me from loving you; it is the whole together; and upon the whole you are not agreeable。
How often have I; in the course of my life; found myself in this situation; with regard to many of my acquaintance; whom I have honored and respected; without being able to love。 I did not know why; because; when one is young; one does not take the trouble; nor allow one's self the time; to analyze one's sentiments and to trace them up to their source。 But subsequent observation and reflection have taught me why。 There is a man; whose moral character; deep learning; and superior parts; I acknowledge; admire; and respect; but whom it is so impossible for me to love; that I am almost in a fever whenever I am in his company。 His figure (without being deformed) seems made to disgrace or ridicule the common structure of the human body。 His legs and arms are never in the position which; according to the situation of his body; they ought to be in; but constantly employed in committing acts of hostility upon the Graces。 He throws anywhere; but down his throat; whatever he means to drink; and only mangles what he means to carve。 Inattentive to all the regards of social life; he mistimes or misplaces everything。 He disputes with heat; and indiscriminately; mindless of the rank; character; and situation of those with whom he disputes; absolutely ignorant of the several gradations of familiarity or respect; he is exactly the same to his superiors; his equals; and his inferiors; and therefore; by a necessary consequence; absurd to two of the three。 Is it possible to love such a man? No。 The utmost I can do for him; is to consider him as a respectable Hottentot。 'This 'mot' was aimed at Dr。 Johnson in retaliation for his famous letter。'
I remember; that when I came from Cambridge; I had acquired; among the pedants of that illiberal seminary; a sauciness of literature; a turn to satire and contempt; and a strong tendency to argumentation and contradiction。 But I had been but a very little while in the world; before I found that this would by no means do; and I immediately adopted the opposite character; I concealed what learning I had; I applauded often; without approving; and I yielded commonly without conviction。 'Suaviter in modo' was my law and my prophets; and if I pleased (between you and me) it was much more owing to that; than to any superior knowledge or merit of my own。 Apropos; the word PLEASING puts one always in mind of Lady Hervey; pray tell her; that I declare her responsible to me for your pleasing; that I consider her as a pleasing Falstaff; who not only pleases; herself; but is the cause of pleasing in others; that I know she can make anything of anybody; and that; as your governess; if she does not make you please; it must be only because she will not; and not because she cannot。 I hope you are 'dubois don't on en fait'; and if so; she is so good a sculptor; that I am sure she can give you whatever form she pleases。 A versatility of manners is as necessary
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